Mimi Maxmen (Costume Designer)  New York:  Uncle Vanya starring Tom Courtenay, Amanda Donohoe and James Fox,  Public Enemy  by Kenneth Branagh,  A Shayna Maidel,   Inadmissible Evidence with Nicol Williamson and Philip Bosco,   Vieux Carré,  North Shore Fish,  The Incredibly Famous Willy Rivers,  Moonchildren,   Today I Am a Fountain Pen, A...My Name Is Alice, Virgil Thompson’s Lord Byron and The Mother of Us All.  She has designed for the Roundabout Theater,  Manhattan Theatre Club, the Mark Taper Forum, Cleveland Play House, Santa Fe Opera, the New York City,  Joffrey, and Metropolitan Opera Ballet companies.  Films include Tumbleweeds starring Janet McTeer,  A Misummer Nights Rave,  Luster.    She currently teaches at Parsons School of Design.

Dana Liebowitz (Set Designer) is a recent Bennington College graduate who just designed her first two Fringe shows (new plays) simultaneously, at the same time completing another new play, The Alice Complex by Peter Nickowitz at the Dixon Place HOT! Festival  She looks forward to an equally busy fall season.

Vincent Marano (Dramaturg) has been a fixture in the New York theatre community for fifteen years and at the New York International Fringe Festival for the last three, directing the award-winning productions of Timothy Nolan’s The Way Out (Fringe, 2002) and Acts of Contrition (Fringe, 2003).  He is also producing Choking on Happiness and directing The Best It’s Ever Looked as part of that evening in this year’s Fringe.  Vincent got his start with The Family, MTC and Circle Rep, studied at the Roundabout and Terry Schrieber Studios, and worked with the Drama Project.  He received his MA in Playwriting and Directing from Hunter College. He has directed over forty productions or staged reading in the New York City area.  At the Classic Stage Company he produced the critically acclaimed Box Office of the Damned (with the then unknown Kristin Chenoweth); was a resident director at Belmont Italian American Playhouse, producing or directing a dozen plays, including early works by Julia Jordan, and a series of Italian language productions of Pirandello, Dario Fo and Eduardo De Fillipo.  Vincent was the General Manager of Chelsea Playhouse (until its literal demise in 2003) where he directed or co-produced shows by the TWEED, Present Tense Productions, the Epiphany Theatre, El Extreme, Absolute Theater and Riverside Theatre Company.  He’s currently working on his “Italian Iceman Cometh” and hopes to produce it in the fall with the ManhattanTheatreSource.  When not sleeping two hours a night, he is developing a TV series with Discovery Health Channel.